Summer O’ Slashers

Hey all.

How’s things? Things are good with me. Finishing up a number of projects that are going to keep me hyped up from 2019 and beyond, but can’t quite talk about any of that yet. I will say that the Video Night audiobook is continuing to slay. I think a lot of that is down to Matt Godfrey’s awesome performance. If you’ve listened to it and could leave a quick review on Audible: we’d appreciate it.

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But enough about me, this last week there were two big book releases from the Black T-Shirt crew.

First is Triple Axe by Scott Cole. This is out from Grindhouse Press, one of the absolute best cross-genre publishers in the bizarro scene. It’s hilarious and profane and I cannot recommend it more as a weird, mind-expanding slasher beach read.

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Next is a reissue of Matt Serafini’s Under the Blade. This remastered, updated edition of Serafini’s taut, frightening, and twisty slasher-thriller is now available in paperback and ebook.  But don’t take my word for it, Brian Keene said: “Echoes of horror’s paperback glory days, but spills new blood with a modern protagonist and style. I loved it!”
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And even though it came out a few weeks ago, we can’t forget to mention Pat Lacey’s horror-movie-themed novel Bone Saw, out now from Perpetual Motion Machine Publishing.

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So those are my big recommendations while you’re waiting for the next Adam Cesare book to drop (and believe me, I’m waiting too, but the wait’s going to be worth it). Like *all* authors, Matt, Scott, and Pat really appreciate (and most times financially benefit) when you leave a quick Amazon and Goodreads review of their books when you’re done.

If you’ve been neglecting to keep up on my YouTube videos or (gasp!) haven’t subscribed to my channel, I’ve been having a lot of fun sharing movie and book reviews over there. Here are a couple of my recent faves:

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Black T-Shirt Books Expands!

Since the launch of my back catalog re-releases, I’ve wanted to take the Black T-Shirt Books brand further than simply putting out my own stuff.

Well, today is the day that dream becomes a reality. Scott Cole and Patrick Lacey are two of the most original voices in horror and bizarro (in Scott’s case) fiction, and I am delighted that their new titles are launching today as part of the Black T-Shirt family.

Both of these books are now available in ebook and paperback, and both authors will have copies with them to sign and sell if you’re lucky enough to be attending Scares That Care this weekend. Even if you’re not attending: please support the charity if possible.

Here’s a rundown of each, click the cover to purchase:


A Debt to Be Paid is exactly the kind of horror I enjoy. It’s not “throwback” in the smarmy “did you get the reference I just made?” way, but it does feel apiece with something that could have been published as a supermarket paperback (a slim one, it is a novella, but the Black T-Shirt edition is loaded with extra stories). A Debt to Be Paid is It Follows meets that popular internet myth of shadowmen, plus a little bit of financial crisis allegory. You’re going to love it. Please buy it in ebook or paperback right here.

Scott Cole has one of the best imaginations I’ve ever witnessed in action. I’ve talked about how much I love his novella Superghost, but I think this collection is going to be the book that puts him over the top. Scott is a master of super-short fiction, and in Slices he offers up 34 demented and disturbing tales that pack more punch than stories 3x their size. Which isn’t to turn you off if you don’t like flash fiction, because Slices offers quite a few longer tales as well. This weird and wild collection should be on your list if you like Tim Burton, David Lynch, or think the two of those directors should get together and eat a liverwurst sandwich. Buy it in ebook or paperback here.

Both titles are enrolled in the Kindle Unlimited program, if you wanted to read them that way for free. And the Matchbook program, where if you buy the paperback, you get the ebook for free.

If you pick up one or both (preferable) of these books, it’s worth repeating: Amazon reviews are what help keep us in business, and we appreciate every single one.

Happy reading and I’ll see you in Virginia!

NOT a ghost story, ghosts don’t know they’re dead: Haunt by Laura Lee Bahr

Laura Lee Bahr’s debut novel Haunt is the literary equivalent to a Rubik’s Cube. Maybe that analogy won’t hold up for everyone, but it certainly does for me because there’s no way in hell I’ll ever be able to solve a Rubik’s Cube.

I don’t mean to imply that the plot is based on an indecipherable puzzle (although there is a strong mystery thread that weaves through the pagecount). What I mean is that even when Haunt is at its most frustrating: it’s always fun.

What on the outset looks to be a multi-perspective story about the intersecting lives of three different characters turns into an ever-shifting (and ever-collapsing) meditation on storytelling, relationships, metaphysics and, ultimately, life itself.

The plot (as far as it is summarizable) concerns Richard, a broski from Middle America who’s recently moved to LA, Sarah, the spirit who haunts his apartment and Simon, the magnetically dashing journalist who’s somehow tied up in Sarah’s death (or is he?). If that sounds vague and confusing…it is. This is a difficult book to summarize not only because I don’t want to ruin the surprise, but because Bahr herself is constantly messing with the chronology, reliability and even the planes of reality within her novel.

In the introduction, editor John Skipp reveals that the book was originally intended to utilize a “Choose your own adventure” structure. I’m glad that the gimmick was jettisoned, because what Haunt is now is a multi-tiered adventure where you have no choice, even when one is being offered to you. It’s a puzzle where some of the pieces are missing and where some were never meant to fit together in the first place. The result is invigorating.

Bahr’s book is colorful, beguiling and intelligent without ever feeling snooty or overindulgent. It’s a book that straddles a number of lines effortlessly: it strikes just the right balance between highbrow and lowbrow; it never lets its perplexing nature overshadow the reader’s sense of forward momentum or atmosphere. As far as it dives into the surreal, Bahr’s prose always feels grounded, the way I feel art like this needs to be for maximum enjoyment (think David Lynch or earlier Darren Aronofsky).

Highly recommended for the adventurous readers among you (and I’d like to think that’s all of you, so don’t disappoint me).