Exponential: Crushing Bones in Surround Sound

Very happy to announce that Exponential: A Novel of Monster Horror is now a beautiful new audiobook narrated by Matt Godfrey.

For the unfamiliar, Exponential tells the age-old tale of a bar full of misfits and losers who must contend with an ever-expanding gelatinous monster if they want to live to drink another day. Since its initial paperback release, the novel’s been one of my most well-reviewed books and I hope that this audio rendition will introduce a whole new audience to this tender piece of monster fiction.

This is the second time that Matt Godfrey’s brought one of my novels to life and I think this one may be even better than his incredible work on Video Night.

And while Matt’s a stellar narrator, don’t forget that Tribesmen, Zero Lives Remaining, and The Con Season are also available as audiobooks, narrated by the maestro Joe Hempel.

As with all of my books, whether you buy and enjoy them via paperback, ebook, or audiobook: reviews are the best way to help more people find them and love them. If you like a book (not just mine, any books, really) please leave a review on Amazon (or Audible, in the case of ebooks). Word of mouth keeps people like me writing and there’s no better feeling than hearing my work is appreciated.

If you’ve already read Exponential and are wondering when I’l have *brand new* material available, the answer to that is: right now.

I’ve got a short story in an incredible shared-universe collection called Welcome to the Show: 17 Horror Stories – One Legendary Venue. Author and editor Matt Hayward put this thing together and the list of talent on display is unreal and humbling. Being included in an anthology with a great table of contents is one thing, but there’s something a little more special about knowing that all of our stories are linked, are part of a larger whole. There are original stories by Brian Keene, Rachel Autumn Deering, Jeff Strand, Mary SanGiovanni, Bryan Smith, John Skipp, and many more. I’m pleased to share the pages with these authors and my Black T-Shirt Books brothers Matt Serafini and Patrick Lacey.

The paperback and ebook are out now from Crystal Lake Publishing and are doing well (as of writing this, it’s one of the best-selling anthologies on all of Amazon).

What else is new? Well, not much, busy working on top secret projects and all that, but I did get a chance to talk about my experience at Scares That Care Weekend 2018. And more importantly, got to talk about all the great books, movies, and pins I picked up at the show. You can watch that convention rundown/haul over on my YouTube Channel (but you already knew that, because you’re a subscriber, right?).

 

 

Summer O’ Slashers

Hey all.

How’s things? Things are good with me. Finishing up a number of projects that are going to keep me hyped up from 2019 and beyond, but can’t quite talk about any of that yet. I will say that the Video Night audiobook is continuing to slay. I think a lot of that is down to Matt Godfrey’s awesome performance. If you’ve listened to it and could leave a quick review on Audible: we’d appreciate it.

But enough about me, this last week there were two big book releases from the Black T-Shirt crew.

First is Triple Axe by Scott Cole. This is out from Grindhouse Press, one of the absolute best cross-genre publishers in the bizarro scene. It’s hilarious and profane and I cannot recommend it more as a weird, mind-expanding slasher beach read.

Next is a reissue of Matt Serafini’s Under the Blade. This remastered, updated edition of Serafini’s taut, frightening, and twisty slasher-thriller is now available in paperback and ebook.  But don’t take my word for it, Brian Keene said: “Echoes of horror’s paperback glory days, but spills new blood with a modern protagonist and style. I loved it!”

And even though it came out a few weeks ago, we can’t forget to mention Pat Lacey’s horror-movie-themed novel Bone Saw, out now from Perpetual Motion Machine Publishing.

So those are my big recommendations while you’re waiting for the next Adam Cesare book to drop (and believe me, I’m waiting too, but the wait’s going to be worth it). Like *all* authors, Matt, Scott, and Pat really appreciate (and most times financially benefit) when you leave a quick Amazon and Goodreads review of their books when you’re done.

If you’ve been neglecting to keep up on my YouTube videos or (gasp!) haven’t subscribed to my channel, I’ve been having a lot of fun sharing movie and book reviews over there. Here are a couple of my recent faves:

Aliens Invade Your Ears! Black T-Shirt Books Goes International!

Big news! My first novel, Video Night, is now an exquisitely-produced audiobook. Narrator Matt Godfrey (who audio fans may know for his production of Micheal McDowell’s Blackwater) gives an incredible performance here and I am overwhelmed to have such a talent bringing life to a book that’s very near and dear to my heart.

If you’ve been holding off on checking out the book, now’s the perfect time to grab it in this new format. Or, if you’ve read the book when it first came out, now’s the perfect time to revisit. And if you’re a “eh, audiobooks aren’t for me” kind of reader, I think this might be the book that breaks you into the habit. As someone who didn’t consider myself an audiobook guy until recently, I have to say that I now LOVE the format. It’s a great way to supplement my reading while I’m doing the dishes or walking the dog. It’s available on Amazon, Audible and iTunes.

The OTHER piece of big news is that Black T-Shirt Books has expanded again. Please welcome the amazing Aaron Dries to the family by picking up The Fallen Boys: A Novel of Psychological Horror in either ebook or paperback. 

Author and filmmaker Mick Garris (Masters of Horror, Stephen King’s The Stand, Critters 2: The Main Course) calls it “A terrific book. Beautiful and brutal. Heartbreaking and incredibly emotional. I really, really enjoyed it.” And Hellnotes says: “It will upset and maybe even offend. It will trick you and make you wince. But above all else, The Fallen Boys will move you. This is a tale you will never forget, as told by one of the most important new voices in the genre.”

Aaron is flat out my favorite writer from the Samhain-era and I’m so happy he’s chosen to release this incredible novel with us. He’s a master of what I like to think of as tragi-horror, his stories imbued with such verisimilitude and melancholy that they all really put you through the emotional wringer while at the same time shredding your nerves. Which is very different from what the other writers in the Black T-Shirt stable do, but it’s good to mix it up, right?

As with all Black T-Shirt releases: both The Fallen Boys and the Video Night audiobook will live and die on your support. So please pick up a copy (or help spread the word, even if you can’t commit right now) and then consider leaving each a quick, honest Amazon and Goodreads review when you’re finished. It’s how we make our livings and how we get the word out about the books. Thanks!

That’s it on the announcement front. But while I still have you here, have you been to my YouTube channel recently? I’ve got new videos up discussing the virtues of Syfy’s Channel Zero: Butcher’s Block and another one foaming at the mouth over Arrow Video’s new release of Basket Case. Please subscribe and then come join the conversations going on in our (lively) comments section.

Hot Summer Reads! Horrendous Sunglasses!

Desperate for some creepy reading for when you’re at the beach? I’ve come up with a list of five (it’s actually seven, but don’t tell anyone) novels and audiobooks. You can check that out over on my YouTube channel. If you haven’t hit that subscribe button, I’d love it if you did.

Are movies more your thing? Well I was lucky enough to get the chance to check out the upcoming 68 Kill at a special screening during Wizard World last month. The movie was directed by Trent Haaga, stars Matthew Gray Gubler and AnnaLynne McCord, and was based on a novel by Bryan Smith. I’ve got a video review of that where I discuss other recent novel-to-film adaptations.

If you’ve no interest in watching me talk, and would rather read my take on a giant monster story: Exponential is now out in paperback from Black T-Shirt Books. This new edition sports a dope new cover and a brand new afterword. If you already own the old edition: this is the same book, don’t double-dip unless you’re really sure you need to own the new cover. If you’d prefer to save paper: there’s always the ebook, also available for Kindle Unlimited subscribers.

If you’ve already got that, or monsters aren’t your thing: Year’s Best Hardcore Horror Volume Two is now out in ebook, paperback, and audiobook narrated by Joe Hempel.  There are great authors like Tim Waggoner, Michael Arnzen, and Bryan Smith in there. Along with one by me.

That’s all for today! Happy reading, stay cool!

Video Night Returns! The Con Season is Cheap!

Check this out:

Yeah boy! That’s the stuff. Above is the new cover for one of my most popular titles, recently relaunched under a new imprint. If you’re new to my work, or somehow just missed this one, then I urge you to click over to amazon to check it out.

It’s about the 1988 alien invasion of Long Island, NY. So it’s not only thrilling, but educational.

The book’s not only got that sweet new cover by Fredrick Richardson, but a new afterword, and a couple of editorial nips and tucks.

If Video Night is something you’ve already got, then maybe I can interest you in The Con Season, my newest novel, for the next couple of days priced at 99 cents. Yup, one dollar will get you a full brand-new novel and 5 will get you two novels and the self-satisfied warm and fuzzies that accompany helping out an independent author. (Sorry, this offer has expired, but the book’s still cheap at $2.99).

Speaking of being an indie author, that new version of Video Night has been wiped of its 40+ reviews, so if you’ve read it and liked it: I would really appreciate you taking a few seconds to review on Amazon.

Okay, pimping over. Other than trying to sell you those two things, I also wanted to share that I’ve watched and reviewed a couple of movies since we last spoke. The best of which was The Autopsy of Jane Doe, which I did a video review for right here. Please hit that like and subscribe button if you haven’t already. It helps.

Beyond that: I want to here from you. Consider signing up for the mailing list if you haven’t by clicking the “Free Short Read” button at the top of this page, I’ll send you an exclusive ebook for your troubles.

Piece,love, blood, and guts,

Adam

The Value of Shock

Disclaimer: Yeah, there are like fifteen hundred other reviews of this book bouncing around the internet. I know. But I went to a store and bought this last week, so you’re gonna have to indulge me while I put down some thoughts.

There are very few nonfiction books written about horror films that aren’t either: a) breezy, fan-written overviews of the genre, which are generally full of hyperbole and geek-bias or b) so overly academic that they preclude enjoyment. In Shock Value, Jason Zinoman solves this problem by approaching his chosen material as both an intelligent fan (the guy wrote for the New York Times and Vanity Fair) and by focusing the majority of his attention on the interesting—and often untold—human stories behind the production of these films.

Zinoman’s area of interest is the dawn of “New Horror” in the 1970s. As you probably know, there’s not a whole lot left to say about Halloween, The Exorcist, Texas Chain Saw Massacre, or Rosemary’s Baby. These films have been poked and prodded, reconstructed and deconstructed under every possible critical and academic lens. Wisely, Zinoman chooses to take a closer look at the creators of these films over in-depth analysis of the films themselves. He examines both the cultural climate of the time in which these men were working and their relationships to each other (relationships which range from playful thematic discourse to professional symbiosis to downright adversarial). Through extensive and candid interviews with filmmakers like John Carpenter, Wes Craven, Tobe Hooper and a host of their collaborators Zinoman creates intriguing miniature portraits of the men themselves, but also to tell the larger story of the movement they forged. These are men we don’t hear from a lot (promo material for DVDs barely counts, and that’s not the kind of engagement they give Zinoman). Many of their stories are quite fascinating and will often offer deeper insights into their work.

Worthy of special mention is the large swath of time Zinoman takes discussing the life and work of the late Dan O’Bannon. It’s great that this lesser-respected, semi-kooky, but very important figure in genre cinema gets to tell his side of the story one last time in the pages of Shock Value. For me, this alone was worth the price of the book.

How much enjoyment you yourself will derive from Shock Value, probably depends on your level of open-mindedness and readiness to interact with a text that you may not agree with at all times. The hardest of the hardcore horror fans will probably find much of the ground covered to be familiar, and even if they don’t they will possibly take offense to Zinoman’s frank appraisal of horror post-the advent of New Horror. The author approaches the men he’s studying in a very smart way, and is very quick to point out how well-read his subjects were as young men. By the time he reaches his conclusion he makes two fairly controversial assertions. First he points out the unfortunate trend that many of these filmmakers were never able to top their early (and in most cases, first) works. This is unpleasant, but it’s also pretty objectively the truth. Zinoman then implies that the reason there has never been another boom in horror comparable with the 1970s, is because once the conventions of the genre were established, the genre fed on itself (and only on itself) until stagnation. Zinoman attributes this decline to the fact that while Craven and Carpenter took their ideas of what was frightening from the works of Harold Pinter and Samuel Beckett, younger filmmakers were getting their same conceptions exclusively from Craven and Carpenter.

If that last sentence raised your ire—if you’re ready to hurl lame insults like “elitist” and “portentous” at Zinoman—then maybe you won’t enjoy Shock Value. But you also might be the person who needs to read it the most.